Ambient Light Rejection Screens

Evan Powell, March 3, 2016

DNP Supernova 08-85

The DNP Supernova 08-85 is the only screen in this group of eleven that matches the Da-Lite Parallax in image clarity and extremely wide viewing angle. Unlike most other ALR screens, the Supernova shows absolutely no visible texture or shimmer. As far as image clarity is concerned, it is tied with the Da-Lite Parallax and surpasses all others.

Similarly, the viewing angle of 170 degrees is extremely wide. The Da-lite Parallax and EPB DarkStar 9 also have equally super-wide viewing angles, but these three screens beat all the others in this regard. The Supernova is an excellent choice for any application in which you need to have the image highly visible across a wide viewing space.

At 0.8 gain, the Supernova is among the least bright of the eleven, but only when viewed from the center position. If you need a bright picture when viewed from the center you may need to use a brighter projector with the Supernova than you'd need with the higher gain competition. However, when viewed from wide angle positions the Supernova will be brighter and more uniform than most of its competitors due to its extreme half gain angle. If you want the best of both worlds, an image that is both bright at the center as well as from all viewing angles, use the Supernova with a high lumen projector.

The most notable limitation of the Supernova is that it is low in contrast and color saturation compared to the other screens in this review -- it measured 16:1 contrast in the side illumination test, which was the lowest reading among the eleven, and just below the Da-Lite Parallax at 17:1. In any given ambient light situation with any given projector, black levels will not be as deep and color saturation is not as rich on either of these screens as they are on other ALR screens in this review. These two screens show almost identical properties in ambient light rejection, both from the side and from the top.

Like the Parallax, the DNP Supernova offers a trade-off that some buyers will find attractive and others will not -- it gives you the benefits of a clean picture with zero texture artifacts and an extremely wide viewing angle, in exchange for lower contrast and saturation. The good news is that in relatively low ambient light environments, you may be able to offset the contrast and saturation limitations on these screens by using a high contrast projector, thereby ending up with the best overall solution for your particular needs.

For this review, DNP submitted their Supernova One frame and ISF Certified 08-85 screen material. The Supernova One is a completely rigid product (the only one in this review). The screen material is permanently laminated to an aluminum backing plate and given a hard-surface coating to prevent damage. Since you don't need to assemble it, installation consists of simply unpacking it, putting up the wall plates and hanging the screen.

Since it comes fully assembled, it may be difficult to install if you need to get it up flights of stairs or maneuver through tight corridors and doorways. The aluminum backing plate adds significant weight (a 100" diagonal Supernova One weighs in at 40 pounds, about double the weigh of an assembled Parallax), but it also eliminates the chance that the screen will ever distort or ripple.

If this pre-assembled rigid structure sounds like it's not for you, DNP provides other mounting options in the Supernova series including a traditional fixed-frame (Supernova Core) that you assemble at home, a motorized retractable version (Supernova Flex), as well as a modular rigid-panel system (Supernova Infinity) that gives you the performance of a completely rigid screen in a form factor that's easier to maneuver through your home.

Review Contents: Overview Contrast Half Gain Angles Black Levels
  Peak Gain Texture Artifacts Color Bias DaLite Parallax
  DNP Supernova Draper MS1000X Elite DarkStar Elite EPV DarkStar9
  Elite EPV PolarStar Microlite Black Crystal SI Black Diamond SI Zero Edge Slate
  Seymour Matinee Black Stewart FireHawk G4

Reader Comments(10 comments)

Posted Jul 27, 2017 3:45 AM

By Lee

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Is there a conclusion anywhere in the article? Great article, but would be great with a short summary section!

Posted May 11, 2016 11:04 AM

By Tuki

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It would be nice to include the high gain Vutec SilverStar 6.0. Thank you.

Posted Apr 9, 2016 12:18 PM

By Scott Tallal

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Hi Evan,

This review has been incredibly useful! We only wish you would have included at least a few of the high gain options, most notably the dnp SuperNova 23-23 and the Screen Innovations Black Diamond 2.7. Perhaps you can do a shootout between those and other high-gain options in the not-too-distant future?

Keep up the great work!

Posted Mar 31, 2016 8:09 PM

By Jason

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I'd also like to see the Elite Cinegray 5D does in the tests.

Posted Mar 17, 2016 4:22 AM

By Mishari

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I wish you added 2 points: - contrast measure at all lights off to see they have better contrast than white screen. Some of us do not want to have dark walls and ceilings. - Add Elite Cinegrey 5D, which is highly available to public and well reviewed.

Posted Mar 16, 2016 8:14 PM

By Tomas

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Hmm, how come here is missing Black Pearl HDR from SimPit? Unrestricted viewing angle, exceptional black levels and color ... and one of most affordable ALR screens as well

Posted Mar 13, 2016 8:04 PM

By Rob Hunt

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Excellent review, very detailed. However, i think it would benefit readers to have a large television also tested along side these screens, since that is the screens biggest rival. some 75 inch tv around the same price as a screen/pj setup. Then viewers could understand the magnitude of the benefits and drawbacks of a ALR setup.

Posted Mar 6, 2016 7:04 AM

By Hector

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Excellent review. I wished I was there while you were doing the reviews :) I have been looking for unbiased review on ALRsa d you have exceeded my expectations. Thanks again!

Posted Mar 4, 2016 5:12 PM

By Paul B

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What a great review of multiple ALR screens. I can't thank you enough as I am completing a basement remodel and have been searching for ALR screen reviews and challenged by the limited information, as well as critical details about how the products were tested. Having all of the listed screens objectively evaluated under the same standards is invaluable in assessing how the screens might work in my environment. Thank you for recognizing the critical need for this area of review. This is, by far, the best and most complete review of ALR screens. Keep up the great work!

Posted Mar 4, 2016 2:59 PM

By Matt Frazer

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Thank you so much for posting this extensive review of ALR screens, I have never seen anyone undertake this task and you should be comended for the effort. I currently use a Carl's place DIY ALR screen that I bought on a whim to replace my painted wall (following the projector central instructions when it was painted). I noticed a signifigant improvement in my tightly packed dedicated theater since the room is under 10 feet wide and I get light polution reflecting from the walls. It would be interesting to get this screen added since it is so cheap, to see if it can hang with these other options... Although after this whale of a test I wouldn't blame you if you never want to see another ALR again. Keep up the great work, it's reviews like these that keep me coming back.

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