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the poster below me (David Broberg) said it best because I strongly believe the poster doesn't really understand what he/she is really seeing and understanding how to properly set up the their own equipment.....or even if their equipment can properly display the 24p display.

I have seen some movies with disgusting sort of flutter/flicker from the 60hz 3:2 pulldown (A great scene is the opening shot in "The Descent" when the camera pans back from 2 cars driving over fallen leaves, and the detail of theleaves flicker and flutter/jud up like mad), which is the 3:2 pulldown trying to deal with all the detail in a shot that can't be evenly split.

I then watched that scene again on a Panasonic v10 plasma, with the BLuRay player set to 24p and the 24 to recieve that 24p signal, displaying it at a proper 96hz (creating an even 4:4). Needless to say, the scene with leaves looked marvelous. It also did not look as disgusting as the 120hz interpolation which creates images between the frames, the 96hz presentation looked natural, smooth, not too smooth, and all detail was proprly presented. The only sort of "Judder" that was presented was from the flaws of the camera itself because that's why most directors have a cimenatographer to handle the camera: they know how to handle the camera to prevent most judder in shots from sort of movement, panning, zooms, etc....

Once again, I believe the poster was really sending a 24p signal, to a projector that was forcing a 3:2 pulldown to the 24p, which actually looks worse than if the bluray player were to do the 3:2 puldown by itself, letting the projector to just display the image.

If the projector can display in 72hz, 96hz, or 120hz, then that should be was is set to recieve the 24p signal. If not, then the poster is very confused to what they are seeing in the end result.