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Epson PowerLite Home Cinema 5030UB Projector Epson PowerLite Home Cinema 5030UB
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Street Price: $2,349
MSRP:$2,599
3D: Full HD 3D
Contrast:600,000:1
Lumens:2400
Weight: 18.4 lbs
Resolution:1920x1080
Aspect Ratio:16:9
Technology:3 LCD
Lens:2.1x manual
Lens Shift:H + V
Lamp Life:4,000 Hrs
5,000 (eco)
Lamp Cost:$299.00
Warranty:2 year
Connectors:  Composite, Component, RGB, HDMI (x2), RS232, 12Volt Out
Video Formats:  480i, 480p, 720p, 1080i, 1080p/60, 576p

Epson PowerLite Home Cinema 5030UB
Home Theater Projector Review

Bill Livolsi, November 6, 2013

Common Core - Epson's Home Theater Projectors

The following items are common to all three of Epson's new home theater projectors, and so represent the common core of Epson's projector technology. Unsurprisingly, these features are more or less a list of reasons why many people buy Epson home theater projectors.

Placement flexibility. Epson's projectors feature a 2.1:1 manual zoom/focus lens with horizontal and vertical lens shift, which is also manually controlled. The zoom lens can create a 120" diagonal 16:9 image from throw distances between 11'9" to 25' 1". The lens shift has a total range of 3 image heights and 2 image widths, with the middle position putting the center of the lens at the center of the screen. The range of the lens shift is roughly oval-shaped, so you cannot reach maximum horizontal and maximum vertical shift simultaneously.

Super Resolution. Epson's smart sharpening system, called Super Resolution, can increase the appearance of fine detail. The system identifies blurred portions of the source image and selectively applies sharpening to these areas, then compares the sharpened image to the original and attempts to minimize the differences in order to reduce artifacts. Super Resolution shows improvement compared to last year's implementation, leading to an increased perception of detail with fewer artifacts overall. When taken too far, it can still cause mild ringing or artificiality, but a setting of 2 or 3 (out of 5) is effective while still being subtle.

Full HD 3D. Epson's 3D system is as hassle-free as it gets. The system uses radio-frequency glasses synchronization to eliminate interference with remote control signals. The projectors have multiple dedicated 3D viewing presets which can be calibrated independently, allowing you to save more than one calibration for 3D viewing. This makes it easy to have a bright setting for television and animation and a more subtle, reserved setting for film.

The 3D Glasses (model ELP-GS03) are lightweight and comfortable, and their batteries are rechargeable over USB (a cable is included with each pair). Each projector comes with two pairs of 3D glasses, and additional eyewear costs $99 from Epson.

3D brightness can be adjusted to one of three levels, which allows the user to trade between image brightness and crosstalk elimination based on the content being viewed. The default setting is Medium, which allows 25% total light transmission. Medium brightness effectively eliminates crosstalk in all but the most difficult content, and was our preferred setting throughout testing. Low brightness, at 18.5% light transmission, removes any trace of crosstalk whatsoever, but also restricts screen size due to less light making it to your eyes. High brightness, at 29.5% transmission, is great for 3D content where crosstalk is less of a concern. While we did not switch away from Medium very often, we appreciated having the option available for those times when the content demanded a different approach.

B&W Cinema. Black and white movies look their best at around 5500K color temperature, which is close to the color temperature of the commercial projection systems in use back in the 1940's and 50's. When you try to watch them in a mode that has been optimized for color films, they end up looking cold and uninteresting. The Epson 4030, 5030UB, and 6030UB all include the "B&W Cinema" image preset which is intended to display classic black and white films as they were originally seen in theaters. It's a big help when you're a fan of the classics but don't want to adjust your Cinema calibration every time you watch a black and white film.

Picture in Picture. As the name implies, Picture in Picture (PIP) displays a small secondary image from a separate source in a corner of the larger main image. Epson's home theater projectors have had PIP capability for years, but this year the system is able to use HDMI inputs for both images. This is a big deal -- in the past, projectors typically had one set of HDMI circuitry, and could not use digital sources for both inputs. The use of two digital sources for PIP is a first for Epson home theater projectors and may in fact be unique in the market today.

Lamp. All three projectors use the same 230-watt E-TORL lamp, which is rated for 4,000 hours of use at full power and 5,000 hours in Eco-mode. Replacement lamps cost $299 each.

Low to moderate fan noise. Perhaps due to the use of a relatively low-wattage lamp in a large chassis, none of Epson's new home theater models creates much audible noise in eco-mode. Eco-mode is nearly silent, and sitting any farther than a foot away from the projector means you won't hear it running. In full lamp power mode the fan noise can be noticeable during quiet interludes in a film, but it is low in pitch and not overly distracting.

Warranty. Each projector has, at minimum, a two-year warranty which includes 90 days of lamp coverage. The Pro Cinema 6030 and 4030 extend this warranty to three years. Up to two years of additional warranty coverage is available for purchase on the 5030, if desired.

Automatic iris. Epson has perfected the automatic iris by creating a system that is both effective and unobtrusive. The iris deepens black levels in scenes with low illumination. It has two settings, Normal and High Speed, with High Speed being the more aggressive of the two -- the iris in High Speed appears to react more quickly than in Normal mode.


5030UB rear panel including connections

Connectivity. All three projectors have two HDMI ports, 3-RCA component input, a 12V trigger, and an RS-232C port for external command and control. The Home Cinema 5030 has a wireless model, the 5030UBe, which also include a WirelessHD transmitter with 5 additional HDMI inputs and MHL compatibility.

Calibration and customization. The menu system gives the user total control over color, contrast, and gamma. Each projector features full RGB Gain/Bias controls for grayscale adjustment as well as a full color management system for fine-tuning gamut. Each projector also has at least some amount of control over gamma. Ten user memory locations allow you to save different calibrations for the same image mode without overwriting your previous settings, and these memory slots can be renamed as well.

Panel alignment. The panel alignment system can correct for convergence errors, which are almost an inevitability in a three-chip light engine. As the projector is used and components age, there may be some tiny shifts in the positioning of the LCD panels used to create the image. Using the panel alignment system, you can correct for these shifts without sending the projector out for service, thereby reducing downtime and expense.

Key Features of the Epson 5030UB

2D picture quality. The best reason to purchase the 5030UB, hands down, is image quality. The 2D picture from the 5030UB is high in contrast, impressively three-dimensional, and after calibration has spot-on accurate color. Thanks to an aggressive and effective automatic iris, the 5030UB offers the best black level performance found in any projector in its price range, period. Detail is sharp and clear even without the use of Super Resolution, though that technology can make detail pop even more than it already does. Frame interpolation is very effective at reducing judder in 24p material, and shows few artifacts.

3D picture quality. If you care about 3D theater, the 5030UB delivers a compelling experience. The 3D image from the 5030UB has no noticeable flicker, almost zero crosstalk, and is bright enough to display on large screens. That last point is crucial; insufficient brightness is a major cause of headaches and eye strain when watching 3D movies and video. The 5030UB's 3D Dynamic mode is bright enough to power a 100" diagonal 1.3 gain screen at 16 fL. That measurement was obtained using the Low 3D brightness setting and already accounts for light loss from the 3D glasses. Using those same settings, the Medium brightness setting is just about bright enough for a 120" diagonal screen. To top things off, Frame Interpolation is available in all 3D image modes.

Frame interpolation. Frame Interpolation is a technology that reduces the appearance of judder and motion blur by adding interstitial frames to a source video signal. Frame Interpolation has three settings as well as an Off switch (it starts out disabled). Low, the most conservative setting, does not eliminate judder but also has the least noticeable digital video effect. Normal, the next setting, drastically reduces judder but can increase the appearance of DVE in some content. We found the appearance of digital video effect to be highly content-specific. Some films show DVE on Low, while others do not show much DVE even with Frame Interpolation set to High. Low is a safe all-purpose setting for reducing judder in most film and video, though, so we left FI set to Low for the majority of our testing.

Previous Page
Setup and Configuration
Next Page
Performance
Review Contents: The Viewing Experience Setup and Configuration Key Features Performance
  Limitations Conclusion

Reader Comments(41 comments)

Posted Nov 7, 2014 10:37:08 AM

By Bill Livolsi

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Caroline,

The dealer was correct. Most projectors these days are quite bright.

I can’t find a Sanyo C4 in our database. I will assume you meant Sanyo Z4, since that came out about nine years ago. Our favorite settings on that projector measured about 300 lumens with a fresh lamp. Since you’ve had it for a long time, I’m going to assume that the lamp was not new, and was probably only producing 50% of its starting light output. So as an estimate, let’s say you were getting 150 lumens onto your screen before the projector stopped working.

The Home Cinema 5030’s THX mode measured roughly 500 lumens in low lamp after calibration — over three times as much light as you were getting from the Z4. No wonder it looks so bright!

The Brightness control sets the projector’s handling of black, but it has no effect on the actual light output. That’s why it looked bad.

My recommendations for you are as follows:

If the projector is placed on a rear shelf, go out and purchase a high-quality Neutral Density filter. These are used for photography. They reduce light transmission without affecting color balance. An ND2 filter will only transmit 50% of the projector’s light, or 250 lumens. An ND4 filter will only pass 25% (125 lumens).

If you have ceiling-mounted your projector, you can still mount an ND filter, but you’ll probably have to build yourself a bracket. That can be difficult if you’re not a handy person.

You don’t mention what kind of screen you’re using, but low-gain screens will reduce apparent brightness, so that is also an option.

If you have any flexibility in mounting, the Epson 5030UB’s lens transmits less light when it’s farthest from the screen, so you could reduce light output by up to 40% by placing it as far from the screen as possible.

I hope this helps, and good luck!

Posted Nov 7, 2014 7:31:57 AM

By Caroline Bennet

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I was wondering if you could tell me your opinions. We had a Sanyo C4 projector for nine years that I loved and that recently stopped working. We bought an Epson 5030 and it is too bright. I find myself blinking the whole time while watching it. We had it set to low for the bulb, and THX mode. My husband said he tried lowering the brightness but then the image was bad. I can't stand watching it! He called the place where we bought it and they said it will be a $300 stocking fee to return it and that all the projectors nowadays are just as bright. Is that true? Are there others that aren't so bright and harsh on the eyes, or that can be adjusted? We do all our watching at night so we don't need daytime brightness.

Posted Oct 20, 2014 11:27:25 AM

By Jason

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Always a fan of the site, bought my first projector long time ago after reading reviews. Epson 6500UB and have been super happy with it. It's 1080p, my use turned from movies to every day. Video games, movies, tv, sports, all are good with the 6500. Wondering though, is it time for an upgrade to the 5030. Not big on 3d so thats not a major feature for me. But how much different is a 6500 as still 1080? I have blackout blinds so light not really an issue. Suggestions? Buy a $300 replacement bulb or upgrade?

Posted Jun 3, 2014 7:51:43 AM

By andre

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Qualite VS Prix.

Tres tres tres Bon

Posted Apr 26, 2014 8:24:46 PM

By gullipalli

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I am wondering if someone could help me find a anamorphic lens for TW9200. I am trying to Google the part number and could not able to find anything relevant to this model. Any help is much appreciated.

Posted Apr 5, 2014 9:03:49 AM

By John

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First. Thanks for the detailed reviews. They helped me in making my choice when selecting the Epson 5030UB. We put in a addition and matched this with a SI 120" Screen 1.1 Gain We have people come over and state the picture quality and specifacally resolution is better that their flat panel TV. Again. Thanks

Posted Apr 1, 2014 11:12:17 PM

By Michael

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I just purchased this projector. It is a big upgrade from my Benq PE7700. I currently have a Dalite 106 inch fixed screen with a HCCV screen. This screen has always looked to sparkly on the whites during viewing. It is even worse with this new projector. Would you suggest a white screen or a grey screen. I am looking to get away from the sparkly view on bright scenes.

Posted Feb 25, 2014 3:44:17 PM

By Hotrodguy

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Hi Bill and everyone, first thanks for such a great and detailed review, as are all of your reviews. Even with the details, I still have some questions that I can't seem to find the answer to. Using your projector calculator, if I mount the projector with a throw distance of 13'3", that provides a 100" screen size, which are perfect measurements for my set up. If I understand this correctly, I wouldn't have to adjust the lens at all since I already have the desired screen size, correct? In which case, what position is the zoom lens in at any given throw distance for a given screen size according to the projector calculator? Is this a starting point and then one can use the zoom to create a smaller or bigger picture since they may be limited to throw distance but want or need a smaller or bigger picture? This detail I believe would help many people understand the light output at their distance. Thank you in advance.

Posted Feb 23, 2014 8:09:46 PM

By James

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I put off moving to a projector for a long, long time. When the 5030UB came out, I debated between going with a high-end 60-inch Panasonic plasma and this projector with a 100-inch diagonal screen. My old Panasonic Tau large screen tube TV was starting to fade, and it was time to make a decision. I decided on the Epson.

Of course, the true test of any purchase of this kind is having it pass the "Wife Test". When I finally got the system set up in the basement, I asked my wife for a review after watching some of the Sochi Olympics. Her comment was, "Well, it's okay, but you know I'm not into all the multimedia stuff". So I decided to switch gears a little, and next evening dropped in a DVD of "Winged Migration". That was all it took. She was sold. Watching that flick with the picture quality thrown onto the screen by the 5030 almost makes you feel you are flying along with the rest of the flock. My hyperactive 5-year-old was rapt with attention. I am sold, and am extremely satisfied, as is the wife. Thank you Epson for an exceptional product.

Posted Feb 14, 2014 3:49:45 AM

By Rm123

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to me, it didnt need len shift but only reducing the image size a bit. thus i can keep the maximum no of pixels and wont have any adverse effect at all!

Posted Feb 10, 2014 4:39:15 PM

By thejasvi

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Does using the lens shift and full zoom reduce the picture quality. Thinking of epson 5030ub to get 120 inch diagnol from 135 inches throw distance placed at 1 feet down the ceiling(shelf). This will be possible only if I use the full zoom out and vertical lense shift

Please advise

Posted Feb 3, 2014 7:40:37 PM

By rm123

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Hi guys,

Something to share with you all regarding the projector's matching up with different screen... i have been using Kikuchi MTSR 90" HDAM screen for years and have no problem with my other Panasonic & Sanyo projectors. When I installed my Epson TW8200 (HK model no. which is equal to 5030UB), the image revealed a large area of light grey strips that looked like water mark.

The technical advice from Epson's professional was: it's the mismatch of my screen vs high lumens projector... thus this sort of optical "Newton Ring" occured. there's nothing I can do except changing a matching screen. Of course I was upset and asked for other possible alternatives, and the answer was no...

What I did figure was to try applying:

1) Polarizing filter that may help eliminating such optical effect, or

2) Readjust the Len Shift angles (vertically & horizontally) to see if it may help...

To my great surprise, I just merely reduced the zoom range from its widest 100% to 95% (i.e., screen width from 90" to 86"), the water mark disappeared!

Now I really understood why so many AV pals are fury about the so-called technical service from dealers...

Posted Jan 27, 2014 4:54:21 AM

By gzah

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hi bill,

have you done already some more input lag tests?

My favorite projector is the EPSON TW7200.

Is the TW9200 really faster than the TW7200?

Is the TW7200 fast enough for gaming?

What happens when we use other input ports? Is it faster with the PC- or Component-input-port..?

thanks!

gzah

Posted Jan 25, 2014 11:15:41 PM

By G. M.

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The Epson web site has good screen size and distance calculators for you to use to figure out size and distance for your room. They are easy to use. Check out their web site. G.

Posted Jan 24, 2014 7:26:09 PM

By John

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Great review! Just a quick question I have the option of the two following projectors.Sharp XV-Z17000 DLP Projector and the epson 5030ub. I'm running a dreamy right now by dream vision. I know I've had it for a while, time to upgrade. I'm at a throwing distance of 15' on a 120" screen. I can't seem to make a decision on which projector would be better. Saw a review that the sharp does better when it comes to fast moving screens and the epson is not up to par when it comes to jidder ness. Mostly for 3d movies to get the movie feeling .... Please what do you recommend. Thank you

Posted Jan 8, 2014 10:50:55 AM

By Kelvin

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Bill,

I purchased the projector based on you review and I couldn't be happier!!!

I noticed that the Dynamic Iris defaults to "OFF" for most color modes (except Dynamic).

Do you guys recommend leaving it off for the "Living Room" and "THX" modes or would you set it to high for those color modes as well?

Thanks again for all your help!

Kelvin

Posted Jan 6, 2014 12:15:51 PM

By Miguel

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Bill, thanks to your great review i finally decided to buy the epson 5030ub. you are right it is a great projector, kind of big. I had to built a rear shelf mounting to place it, it is heavy! it works nice even with some light. my only issue is that I could not place it exactly perpendicularly in front of my screen, it is around 4 feets off left, with lens shift i moved the picture to fit into my screen, however as a problem I do not get a perfect rectangular picture. it is not bad and i can correct with keystone, however I saw picture loses some quality with keystone adjustment, do you have any good tip for getting a perfect rectangular picture mithout moving the projector exactly to the front of my screen (my room doesnt allowed me to do that)? thanks again for your review, it helped me a lot to make my decision for what projector to buy.

Posted Dec 25, 2013 7:24:50 PM

By Jim A.

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I've been looking at the Epson 5030ub, and have one main question. I am just starting to build a new theatre room in basement. It will be dark, I have a 12 foot ceiling and 20 feet of wall space along the front of the room, and 32 feet from the front to back walls. I want to mount this camera from the ceiling, and basically need to decide the size of the screen and how far back to mount the camera. Although there is lots of info out there, I haven't been able to find anything on ideal distances from the screen to locate this camera...and how that ties to screen size. Any suggestions? Thanks

Posted Dec 25, 2013 2:43:34 AM

By Maarten

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Bill,

sorry for my late response but thank you very, very much indeed for sorting out the differences concerning the european and US numbers!!!

you have been very helpful, thank you

greetings from the other side off the ocean!

Maarten

Posted Dec 15, 2013 6:18:45 PM

By Chuck Blakeman

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We have a Sanyo PLC-XP21N that is finally giving up the ghost after 10 years. Great for all those years. 2400 lumens (a lot for back then).

Wondering if the 5030UB is a good replacement. Key fact - we've been using it in a family room configuration with french doors to the outside, pool table, etc. The PLC picture always held up well in daylight without direct sun coming in the windows. Of course it was always better at night.

I see the 5030UB is also 2400 lumens like the Sanyo. I know the lumens rating is always a moving target - anybody know if the 5030UB would do okay in such an application? Thanks for any help.

Posted Dec 10, 2013 10:06:36 PM

By Qaz

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"For the do-it-yourselfer, the 5030UB's lens configuration screams "rear shelf mount.""

Hope you have a big shelf because this thing is pretty massive! My current projector BARELY fits on my shelf as is and this one is 7cm deeper. Yikes, might buy this one but I seriously gotta buy a new shelf first!

Posted Dec 4, 2013 9:33:45 AM

By GCK

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Have you heard anything yet on when the UBE model is shipping? It seems that the date keeps slipping and not sure about the stock that is out there on eBay and other places for way more that the $2899.

Thanks!

G

Posted Nov 23, 2013 10:36:51 AM

By Chris

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Bill, thanks for your previous answer-

I see the 5020UB fac refurb is $1899 now and I am tempted to save $700 over the new model. This would be an upgrade from the 8350 I've had for 3yrs- and I'm really interested in better black levels and possibly upsizing from 106" to 120" screen. Help! Which one!!

Posted Nov 18, 2013 12:10:31 PM

By Bill Livolsi

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Felipe - the projector is available now and in stock at many authorized Epson resellers. You can see some of those resellers from our Epson 5030UB specifications page

Josh - we actually received ours about an hour after I posted my comment and I'm working with it today. Expect results later this week.

Posted Nov 17, 2013 9:38:05 AM

By Josh

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Bill, thanks for the reply. I got my Bodnar tester a few weeks back. Takes a while to arrive from England, but it's totally worth it. Makes testing lag down to a tenth of a millisecond as easy as pressing a button.

Posted Nov 17, 2013 8:41:26 AM

By Felipe Rueda

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Bill, what an excellent review! I was thinking on buying this epson model after reading cnet's review but had my doubts/questions until now that I read your article, twice! Congratulations on such detailed and comprenhensive writting. I can see you have a kind-of "direct line" with epson so I would like to know when this 5030UB and the 5030 UBe will be really available? I called epson and the customer service rep didn't have a possible date of availability... I will deeply appreciate any info you can find on this matter. Cheers, Felipe.

Posted Nov 15, 2013 9:52:49 AM

By Bill Livolsi

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Maarten, I've received an official response from Epson regarding European model numbers and it looks like Nikko was correct. Here they are.

Home Cinema 2030 = EH-TW5200;

Pro Cinema 4030 = EH-TW7200;

Home Cinema 5030UB(e) = EH-TW8200(W);

Pro Cinema 6030UB = EH-TW9200

Kelvin, the drop in light output is linear. In other words, using the midpoint of the zoom, you lose roughly 22% of the projector's max light output.

Michael, the Sony HW55 should be on its way to us now, and we will certainly do a comparison.

GeoffTB, that's unfortunate. We did not run into any major alignment problems, though our 5030UB was slightly mis-aligned on arrival. We fixed it with the Panel Alignment feature.

Josh, right now we use the dual-display method, but our Bodnar lag tester is on its way. When it arrives, we will re-check the projectors we have on hand to find out what the differences are.

Chris, not necessarily. Placing the projector closer to the screen increases light output, but light output is not the be-all and end-all of image quality. Using the maximum wide angle setting also increases light scatter and makes screen illumination more uneven. Optically speaking, the ideal is using the mid-point of the zoom lens, but 1080p is nowhere near enough resolution to tax most projector lenses from an optical standpoint. I know you were looking for a quick answer, but it's not an easy question. We will be addressing this topic more thoroughly in the near future, so stay tuned.

Posted Nov 11, 2013 9:48:51 PM

By Chris

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Could you please explain or elaborate on this: But the maximum telephoto setting, which produces the smallest image size at a given throw distance, restricts light output by 44%. As an example, THX mode drops from 512 lumens to 287 lumens with the lamp at low power -- a significant reduction that could affect your choice of screen size. This is important to keep in mind when mounting your projector.

For a given screen size, is closer better?

I have an Epson 8350 w/ a 106" VApex screen in a light controlled theater. How much am I going to love the 5030UB???

Posted Nov 10, 2013 7:30:54 AM

By Josh

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Hi Bill, quick question: What method do you use to test lag? Do you have an actual HDMI lag tester (such as the one made by Bodnar) or are you using a CRT, or something else?

Thanks!

Posted Nov 10, 2013 4:36:43 AM

By GeoffB

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I wonder if they have sorted the awful discrepancy in panel alignment. I bought a TW9000 (5010) which was almost unwatchable for text and subtitles. When I sent it back for warranty, they tried to align it electronically and the result was even worse when it was returned.

When I complained, Epson said it was within spec for manufacturing and I would have to live with it.

I ended up selling it for an $800 loss. So much for warranties. Never again Epson!

Posted Nov 9, 2013 1:52:31 PM

By Michael Smith

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I would have to agree, there have been plenty of Shootouts between the Panasonic AE8000 and the Epson 5020ub and pretty much the only advantage to the Panasonic was the motorized lens with it's memory. I would actually of loved to see a comparison to Sony's Sony VPLHW50ES or 55 to see how close the Epson has come.

Posted Nov 8, 2013 4:57:52 PM

By Praeses

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Input lag is still est too high. They are going to pose a lot of customers to BenQ ans others over something that should be very easy (either bypass processing or faster processor) to implement

Posted Nov 8, 2013 11:23:05 AM

By Kelvin

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Excellent review as always on what looks to be an great projector!

Question regarding this part of the review as far as setup goes:

"using the telephoto end of the zoom lens, which can reduce light output by up to 44%"

At what distance in feet does this come into play? The calculator in you site recommends 14 feet (10 - 22 range) for a 105 inch screen.

Thanks in advance!

Posted Nov 8, 2013 9:29:26 AM

By Nikko

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My opinion:

4030 = eh-tw7200 5030 = eh-tw8200 6030 = eh-tw9200

Posted Nov 8, 2013 9:03:14 AM

By Bill Livolsi

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Thanks for reading, folks.

Tony - A shootout is coming very soon. Stay tuned!

Geoff - Actually, the AE8000 measured 34ms. The AE7000 was 41ms.

Craig - I agree that powered lens adjustments would be a welcome addition, and we discuss the impact of manual adjustments in our review. However, such a feature would very likely make the projector cost more than it does now.

Elio - I did not calibrate the 3D modes, but 3D THX is already pretty close to 6500K. Unfortunately it is also the dimmest of the three 3D modes.

Eddie - The manual is incorrect. The 5030UB definitely does not have anamorphic stretch, though the 6030UB does. I will inform Epson of the mis-print.

Maarten - I'm checking with Epson and will get back to you.

Posted Nov 8, 2013 3:00:36 AM

By Maarten

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Hey guys,

quick question concerning european line-up.

What are the corresponding numbers here?

3030 = eh-tw7200 4030 = eh-tw8200 5030 = eh-tw9200

some help is much appreciated so i read the right reviews and dont get mixed up and make the wrong decision.

Thanks in advance

Posted Nov 7, 2013 1:26:49 PM

By Eddie

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I downloaded the 5030UB manual from Epson's website, and on page 50, one of the display modes is "Anamorphic Wide" described as "Displays images that have a 2.40:1 aspect ratio when using a commercially available anamorphic lens". This was not listed in the manuals for the 5020UB or 5010UB.

Is Epson's manual wrong, or has this been overlooked?

Posted Nov 7, 2013 8:43:55 AM

By Elio

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Great review, Bill. By any chance did you calibrate any of the 3D modes? I have a 5030 and I'd love a launching point for the 3D calibration.

Thanks!!

Elio

Posted Nov 7, 2013 3:21:18 AM

By Craig

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So it seems there's very little to differentiate between the 5020 and 5030. That's a shame, as I was hoping Epson would bring some of the features that the Panasonic holds over them with this model - namely the auto zoom/focus and lens memory. I feel they've missed an opportunity here to make it a no-brainer over which to choose, particularly as it seems Panasonic are not releasing a new model this year.

Posted Nov 6, 2013 6:41:15 PM

By Geoff

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Well, there are plenty of 5020 vs. AE8000u reviews out there, and the 5030 is essentially a more refined 5020 with even better blacks, so there's that.

As mentioned in the review, this does have a "game mode" of sorts (fast image processing instead of fine) that brings lag down to 37ms, which is lower than the 50ms the 5020u managed at it's best and slightly lower/on par with the AE8000u, which manages 41ms in game mode.

I played a couple hours of COD on my 360 earlier tonight on my 5030ub, which I set up yesterday, and it seemed fine to me. I'm usually pretty sensitive to lag like old LCD TV's and such used to have.

Posted Nov 6, 2013 3:55:32 PM

By Tony

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Nice review. Only concern is blur in game mode. Would love to see a shootout vs the Panasonic PT AE8000U.

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