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Larry, although setting black level (ie, the brightness control) with a disc theoretically puts you at the perfect setting to match how a control room or mastering studio monitor looked to the technician when the content was created, the reality is that it can sometimes be a little too dark and crush shadow detail. The ideal setting does vary somewhat based on the vagaries of content creation and or other characteristics of your display. Usually you can just click the brightness control up a notch or two if things look too dark; get it up just high enough to reveal detail in a swath of black hair or pull out the lapels on a dark suit or the texture in dark fabric. If that washes out the image too much, you can also play a bit with your display's gamma settings. You don't want to get too far off the default (probably 2.2 where most older content was mastered, or 2.4, or the newer BT.1886 profile). But adjusting gamma can alter the contrast on the mid-tones while leaving the deeper blacks less affected than adjusting brightness. Bottom line to all this: make the picture look good to you, and don't get hung up on what a disc tells you is the "perfect" setting.